Philadelphia Museum of Art

This goblet depicts the mythical Roman scene of The Triumph/Cortege of Bacchus, the god of wine and agriculture. 

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The goblet was made in the city of Limoges in central France. Limoges is well known for its production of enameled metal objects since the Middle Ages. Limoges enamels were primarily produced by a small number of families including the Pènicaud, Limosin, and Reymond families. The scene on goblet derives from a print by Jacques Androuet du Cerceau published in Orleans around 1546.

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There were several precursors to the development of the painted enamels from the twelfth to fifteenth centuries which involved creating an image relied on boundaries in the metal used to separate the areas of color. It was not until the late fifteenth to early sixteenth centuries when a revised method was developed that allowed artists to paint enamels more freely. The copper support was instead used as an open surface for applying enamel like a canvas for painting.